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  1. paglen.studio

    For a 2019 commission in the Barbican's Curve Gallery in London, I took a close look at the most widely-used "training set" used in AI - ImageNet, a database of over 14 million images organized into more than twenty-thousand categories.. The installation was made out of approximately 30,000 individually printed photographs, showing the precarious relationships between images and labels ...
  2. lensculture.com

    Trevor Paglen's recent installation of some 30,000 color photographs in the Barbican's Curve Gallery, From 'Apple' to 'Anomaly', took its cue from René Magritte's 1964 painting Ceci n'est pas une pomme, which dismantled the assumed relation between word, image and thing.Magritte's awareness of the arbitrary nature of the sign has currency in light of the ways in which ...
  3. 1854.photography

    As a proposition, From 'Apple' to 'Anomaly' invites the viewer to consider that the world of images has grown distanced from human eyes as machines have been trained to see without us. Paglen often refers to this new state of machine-to-machine image-making as "invisible images", in light of the fact that this form of vision is ...
  4. barbican.org.uk

    Trevor Paglen: From Apple to Anomaly 26 Sep-16 Feb, The Curve Artist Trevor Paglen's new Curve commission takes as its starting point the way in which AI networks are taught how to 'see' and 'perceive' the world by taking a closer look at image datasets. Paglen has incorporated approximately 30,000 individually printed photographs ...
  5. newstatesman.com

    From Apple to Anomaly distorts scale, and I find myself oscillating between peering close at the images and standing back to take them in. The categories on display - "divorce lawyer", "wine lover", "traitor" - could have been otherwise: there's no reason why an investor should be represented as a man rather than a woman ...
  6. thequietus.com

    We met at the press view for his latest installation, From 'Apple' to 'Anomaly', which layers the Curve's snaking walls with some 30,000 photographs from the Image Net library, progressing in grouped clumps from the humble fruit to the more elusive identifier of the work's title, via such potentially tricksy tags as 'bottom feeder ...
  7. apollo-magazine.com

    The Barbican exhibition is dominated by a single newly commissioned work entitled From 'Apple' to 'Anomaly' - an array of approximately 30,000 printed photographs that virtually covers the sweeping wall of the Curve. The images are derived from ImageNet, arguably the most significant computer vision training set, first unveiled in ...
  8. studiointernational.com

    How will From 'Apple' to 'Anomaly', your new piece at the Barbican, be physically manifested? Trevor Paglen: It consists of thousands of images installed across the entirety of the Curve. The source material for the piece is ImageNet, a massive database of images and labels that are used in training artificial intelligence, particularly ...
  9. barbican.org.uk

    'Apple' to 'Anomaly', alongside a one-off screening of artist Sarah Meyohas' Cloud of Petals. Acting as a counterpoint to Trevor Paglen's installation, Sarah Meyohas' 2017 film Cloud of Petals documents the creation of a dataset of 100,000 rose petals used to train an AI algorithm to generate an infinite series of new, unique petals.
  10. standard.co.uk

    There are 35,000 images following The Curve's long and narrow arc, from floor to ceiling. Snapshot-size, from a distance they form a pleasingly decorative mosaic. Zoom in and it gets complicated.
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