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    Livius Andronicus

    3rd-century BC Greco-Roman dramatist and epic poet

    Lucius Livius Andronicus was a Greco-Roman dramatist and epic poet of the Old Latin period during the Roman Republic. He began as an educator in the service of a noble family, producing Latin translations of Greek works, including Homer's Odyssey. The translations were meant, at first, as educational devices for the school which he founded. He also wrote works for the stage—both tragedies and comedies—which are regarded as the first dramatic works written in the Latin language. His comedies were based on Greek New Comedy and featured characters in Greek costume. Thus, the Romans referred to this new genre by the term comoedia palliata or fabula palliata, meaning "cloaked comedy," the pallium being a Greek-style cloak. The Roman biographer Suetonius later coined the term "half-Greek" of Livius and Ennius. Wikipedia

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  2. en.wikipedia.org

    Ancient theater at Syracuse, Sicily, originally Greek. Lucius Livius Andronicus (/ ˈ l ɪ v i ə s /; Greek: Λούκιος Λίβιος Ανδρόνικος; c. 284 - c. 204 BC) [1] [2] was a Greco-Roman dramatist and epic poet of the Old Latin period during the Roman Republic.He began as an educator in the service of a noble family, producing Latin translations of Greek works, including ...
  3. Summary. Lucius Livius Andronicus (c. 280/70-200 bce) was a Latin author of probable Greek origin who is credited with initiating the tradition of scripted dramatic performance at Rome and composing the first epic poem in Latin.Andronicus's life appears to have spanned a large part of the 3rd century bce; the only firmly transmitted date concerns the performance of a hymn to Juno for which ...
    Author:H. D. Jocelyn, Gesine ManuwaldPublished:2016
  4. encyclopedia.com

    Little is known about the early life of Livius Andronicus, who was born around 280 b.c.e. He likely came to Rome as a teacher of Greek and Latin sometime in the mid-third century b.c.e. in the household of one Livius Salinator, from whom he took the family name "Livius" after being freed.
  5. oxfordreference.com

    Feb 9, 2025Livius ignored the 24‐book division introduced at Alexandria. He seems to have kept fairly close to the general wording of the Homeric text but gave both the gods and the heroes (e.g. Odysseus = Ulixes) local names and took account of the differences between Roman and Greek notions of story‐telling.
  6. Livius Andronicus lĭˈvēəs ăndrənīˈkəs , fl. 3d cent. b.c., Roman poet, a Greek, b. Tarentum (Taranto). He was captured and made a slave at the fall of Tarentum and was freed by his master, a Livian noble, hence his name. Later he became a teacher and an actor.
  7. oxfordreference.com

    "Livius Andronicus" published on by null. The Oxford Biblical Studies Online and Oxford Islamic Studies Online have retired. Content you previously purchased on Oxford Biblical Studies Online or Oxford Islamic Studies Online has now moved to Oxford Reference, Oxford Handbooks Online, Oxford Scholarship Online, or What Everyone Needs to Know®. For information on how to continue to view ...
  8. There can be no doubt of the primacy of Andronicus in Roman literature, but there is an interesting and unorthodox ancient tradition concerning his date. Modern scholars incline to place Andronicus' birth about 285 B.C. and to postulate either that he came to Rome as a slave from Tarentum in 272 B.C., or that the story of his captivity is a ...
  9. www2.classics.upenn.edu

    A Roman epic and dramatic poet. Born apparently in Campania, about 270 B.C., be served in the Roman army during the first Punic War; and, settling after this at Rome, he brought his first play upon the stage in 235, i.e. soon after the first appearance of Livius Andronicus. Owing to the license and recklessness with which he incessantly ...
  10. library.fiveable.me

    Livius Andronicus was a Roman playwright and poet, often credited as the first significant literary figure in Rome, particularly known for his adaptations of Greek plays into Latin. His work marks a crucial transition in Roman theatre, where he took inspiration from Greek traditions and reinterpreted them for a Roman audience, establishing a foundation for future Roman dramatists.

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