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  1. cordis.europa.eu

    Also explored are ethical challenges of such research, and of music programmes for prisoners and refugees, highlighting their shortcomings and providing alternative models. MUTE innovates through a theoretical framework that investigates the interlocking of politics, ethics, and aesthetics, focusing on the ethics of sound and ethics of witnessing.
  2. cordis.europa.eu

    3. MUTE theorizes the ethics of witnessing in research, art practices, but also socio-political processes, giving emphasis on the notion of listening. How is trauma acoustically represented? What is the ethical and political positionality of listening as witnessing? What kind of response and responsibilities does listening-witnessing call for?
  3. philpeople.org

    I am a Postdoctoral Research Fellow on the European Research Council Consolidator Grant "Soundscapes of Trauma: Music, Sound and the Ethics of Witnessing" (MUTE), based at the University of Cyprus. Among other outputs, my three-year research project will result in the first book-length empirical and theoretical account of the relationship between music, sound, violence, torture, and imprisonment.
  4. soundscapesofdetention.files.wordpress.com

    This paper reflects on the extent to which the very public exposure, in this century's first decade, of sound as long-standing medium for state- and corporate sponsored violence and violation can be considered an irreversible trauma to the commonplace notion of "music" on which both musicology and ethnomusicology had been based--a trauma to ...
  5. cmb.hu-berlin.de

    Anna Papaeti (PhD, King's College London) is Research Associate Professor at the University of Cyprus and Principal Investigator of the ERC Consolidator Grant Soundscapes of Trauma: Music, Sound, and the Ethics of Witnessing (MUTE). She writes about the nexus of music, sound, and trauma, as well as the intersections of politics, ethics, and aesthetics. She held two Marie Skłodowska Curie ...

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